The low resolution and opacity of Nigerian American artist Osadolor’s audiovisual work provide Blackqueer folks the agency to roam and remain pixelated, shaky, blurry, glitchy, noisy, distorted, and elusive through the messy flux of self-realisation. Osadolor’s multidisciplinary practice proposes Afropresentist modes to reimagine the self, community, and our relationship with cultural memory, the everyday present,…