In the Moment: Notes from a Weekend of Performance in Oslo

Saturday morning in Oslo, I circle the National Museum looking for SAGG Napoli’s new work. The slate-clad façade reads like a fortress—clean planes of Oppdal stone, almost defensive in its quiet. Around the corner, there’s another fortress of sorts: a matte-black cube ringed by metal bars and guarded by security. Spray-painted across its high walls…

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